Teachers & Writers Magazine Spring Issue
Writing Through Trauma, excerpt one
The spring issue of the magazine is now out, and features a special section on Writing Through Trauma. Each day of the week, here in New York City and across the country, teaching artists walk into classrooms to share their passion for writing. Too often, the stories their students have to tell are of lives disrupted by circumstances beyond their control. What can these teaching artists offer in response to a child who is sick, a teen who has lost a friend to gun violence, a veteran plagued by the war he left behind? What can the act of writing give to those who are suffering? The violence that occurred this past December at Sandy Hook Elementary School in Newtown, Connecticut, put these questions in stark relief, but they are questions teaching artists struggle with often. In this special section we asked writers in the schools from programs nationwide to describe their work with children and adults whose lives have been changed by violence, illness, the death of a loved one, or other tragedies. Each of their experiences is unique, but together their stories offer insight into how words can help comfort and heal in the face of grief.
In the following excerpt, T&W teaching artist David Surface describe his work in a writing workshop for veterans.
The Story We Tell Ourselves Afterward: At the Veterans Writing Workshop
by David Surface
When I tell people that I work with military veterans, one of the first things they say is, It must help them to talk about their experiences, or, It must be good for them to get those terrible things off their chest.
The truth is that there are many other places where veterans can share difficult experiences. Group and individual counseling, as well as veterans’ support or “rap” groups, all provide camaraderie and an emo- tional outlet. The question is, does writing and the writing workshop experience offer anything more?
Most everyone agrees that creative or “expressive” writing can have positive effects for people who have experienced trauma. How this works is much less clear. In my experience, the explanation is to be found not in the language of psychology or neuroscience, but in the language of the writing process itself. I believe the key word in understanding how the writing process can help people living with trauma is revision.
As every writer or teacher of writing knows, revision can be painful. To revise, and revise well, we need to stop seeing our first drafts as something fixed and inflexible, and start seeing them a something malleable that we have power over and can change for the better. (more...)