Tag Archives: prose writing

A Kid Named A.

The fall issue of Teachers & Writers Magazine is now out, featuring excerpts from our new book, A Poem as Big as New York City; exercises and ideas for creating your own community poem project; an interview with writer Verlyn Klinkenborg, author of the newly-released Several Short Sentences About Writing; a look at Houston Writers in the Schools partnership with the Menil Collection, a local art museum; profiles of two longtime Buffalo, NY-based teaching artists; and the following essay by Oregon-based writer Michael Copperman.  We look forward to hearing your responses to the issue!

 A Kid Named A.

by Michael Copperman

A., a tall, thin kid from North Portland, A. of the backward cap and the swaggering slouch, was so confused about his thesis in class that he sat tapping his pencil and shifting in his seat all class long. He needed to identify the reason he felt speech regulations on college campuses should be banned. He wanted to say “freedom of speech” was the reason, and I asked him why freedom of speech was useful to students on college campuses, and he frowned, furrowed his brow, shrugged and then stared down at what he had written as if the words might appear on the page through sheer intensity of stare. 

After class, he lingered at the front of the classroom and asked again, “What should I say?” “What you think is right and makes sense,” I told him, and despite his persistence, I would not give him “the answer.” That attitude of “just tell me” is common among even the better students who make it to college out of our overcrowded and under-resourced public schools: they care about doing well, but have rarely been asked to figure things out themselves, let alone had their own opinions valued and evaluated on clarity and merit. We went in circles, and finally he stood with his hands at his sides in despair. (more...)

Fine Tuning a Lesson Plan to Meet Students’ Skills

 

   

I believe most lesson plans can be tweaked to fit writers at all levels. This idea came to me a decade ago while getting an MFA in Creative Writing.

During a workshop, Honor Moore, author of The Bishop’s Daughter, gave us a writing prompt and quickly added: “Don’t forget to use descriptive detail. Appeal to all five senses.” 

I found her words humbling, because hours earlier I’d conveyed them to twelfth graders. Yet the message can’t be repeated often enough as many writers, young and not so young, often share only what they see, omitting the other senses.

Fast forward to today, and I just finished teaching the use of sensory details to second- through fifth-graders whose skills vary depending on their age and placement in general education or a gifted and talented program.

The challenge: How to adapt one lesson plan to fit many needs?

With younger students (say first- through third-graders), I suggest spending a lot of time brainstorming, followed by creating a group description of their classroom.

As inspiration, I offer passages from The House on Mango Street by Sandra Cisneros, and Eudora Welty’s One Writer’s Beginnings. (more...)